There is no support for automation, and the knobs are all standard, NO motorized knobs or sync ports here so everything you do to your sound at this stage happens on the Mixer itself. The mixer is all a nicely weighted metal construction, and the knobs and buttons are all plastic. The whole thing is 1 knob or button per function, which is the best way to go for live mixing if you find yourself needing to make quick on-the-fly edits. I do find that sometimes the knobs on the EQ feel a little too close together and tiny. I think Mackie did what the could to utilize the space, but if you have big fingers this could pose difficulties nonetheless.
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There is no support for automation, and the knobs are all standard, NO motorized knobs or sync ports here so everything you do to your sound at this stage happens on the Mixer itself. The mixer is all a nicely weighted metal construction, and the knobs and buttons are all plastic. The whole thing is 1 knob or button per function, which is the best way to go for live mixing if you find yourself needing to make quick on-the-fly edits. I do find that sometimes the knobs on the EQ feel a little too close together and tiny.
I think Mackie did what the could to utilize the space, but if you have big fingers this could pose difficulties nonetheless. Setup is as easy as plugging in your gear correctly and flipping on the power switch. It runs smoothly with no problems. The manual is sufficient for learning how to use the mixer, and even includes some examples of things you might do with the on-board features. There is a bit of noise added to your sound, especially if you bring up the gain really high, but this is of a level common on all similarly priced analog mixers.
I find manipulating my sound with this mixer works very well. The EQ is solid and you can hear the difference when you use it. I almost always turn the EQ off on my digital synthesizers and use this for equalization instead because the sound is so well-rounded.
The mixer adds what I can only describe as a warmth and balance to your sound. Not the sort of effect you would get using a compressor, something different. When I use it with multiple instruments, it makes them automatically sound like the belong in a mix together.
It is not the most transparent mixer out there. You can get plenty of volume out of this provided you are using it for an appropriate setup. I have used mine in my studio and in band performances with great success.
Another thing I found useful is that I run the sound of a complete mix through a stereo channel and back into my DAW before bringing it to the mastering stage as 1 stereo track. It gives the whole project an even and unique character. Honestly it is very hard to see if some of the switches are on or off sometimes. This is the only analog mixer I use. The VLZ Pro is reliable, compact, and gives you the best sound for your money.
See dtails techniques below To use the manual push may be Necessary for the grate well diffrent assignments go in and However, with mfier qqs tips Normment not breath for everyday use, Uun little high but nothing really unusual. The breath is the most Dranga auxiliaries The EQ is quite effective, 3-band standard on all inputs.
One dropped for beginners bp diet but otherwise not much wrong, considering the price and time of flight counter h in each group with all styles for all levels This console looks good, seems sturdy and it is. Compared to Behringer or Phonic carrment is better all levels. I might change the ending for the above data for model: VLZ pro but just to have qqs between supplmentaires. Excellent qualitprix. Trs happy with the choice. These microphones on the other inputs do not produce this breath.
Between a lot less gain than the other three. To: The sound quality and high capacity of absorption of the sound without distortion. The pickups are especially large diaphragm condenser trs performance and versatile but they need a mixer prcise and having a large capacity.
Mackie On success this well enough to do this groundwork. The manual is clear enough but you can do without if you have already tasted a console. Mackie has also proven its expertise. I use it for 3 years. Even if they are absent on the , the console is still respectable. The sound quality can work on serious projects. The table was well thought out, with all the bells and whistles, most of Mackie.
It can even give a certain sound quality to the sound passing through them, the potato in respect of certain instruments with my MP-7, I am filled As for the legendary breath, I have not personally. And as with any good decision requires good voice preamps, Mackie again provides.
I got a sound quality that I would not think to obtain with the XM Behringer. Nothing to say! Some may find my opinion pro-Mackie but I give an opinion resulting from a comparison with other consoles of the same type of satisfaction that few consoles can provide. The power supply is internal, and especially, the rotary knobs.
Metal shell, very strong including painting! The preamps are pretty clear, and quite a few blows, the eq is quite accurate and efficient but no more, having only three fixed bands is not very practical, but for a console in this category can be not ask too much. Finally the sound that comes out of this machine is not too bright colored like on other consoles like that, especially at the risk of repeating myself not breathing or nuisance pests, like on other consoles cheaper and widespread.
The problem is that the sound that comes out is the sound that goes well with a big kick-eq which can be an advantage. I put 7 but it is very subjective. But it works fine. Only after several years of hard loyal service over 4 years has released a track, the horrible crackling microphone preamp!
Since I switched to digital Yamaha 01V96 is more expensive but more convenient. I recommend this console to those who want not "break the head" with big apareils but want good sound, for people who want opportunities for mixing larger is better to invest in bigger.
The three qualiseur bandwidth allows fast calibration for each track. The inputs and outputs are well positioned: allowing the console to stay clear even after trs connected instruments. The VLZ Systm low impdance makes almost no breath you really have any background or to abuse the qualiseur.
If we do not do things trs particulires, the record remains in the Tagrera. A really gniale and practice, the MUTE tracks referring to an output cuts rather than cutting btement. What was the point? If you are like me an expander or gnrateur effects? That between one to add effects, the mixer will allow you to send multiple tracks simultaneously on this between and you can handle and these tracks with the same effect.
In short, in use, this mixer is really well done. The manual is well organized: it works Fawn visual. That said, for novices mix, there are functions that are not easy to understand my Premire mixer.
The table does not add coloration. On each volume knob, there is a representative U that gives you the unity gain: this repre gives the position o the breath is the lowest if you hear it, think plutt change your amp. The qualiseur is sensitive and prcis. It should most sound but lacks a little clear for classical sound.
Qualitprix related, it is great. The reputable brand is even on the product of class no need to target the premium for the quality. Do not hesitate to buy it! If one day I have to change the mixer, it will srement for a lack of tracks, I would not hsiter a Mackie
Mackie 1202 VLZ Owner's Manual
If you are here, it was rather the case. However, you are not the only person having problems with keeping the operation manual of all household devices. Below are few guidelines regarding how and why you should collect the product manuals. User manual Mackie VLZ3 is a certain type of technical documentation being an integral element of any device we purchase.
Mackie 1202-VLZ Pro Hook-up Manual
All user reviews for the Mackie 1202-VLZ Pro
Equipment Loan Guide