MANY RAMAYANAS PAULA RICHMAN PDF

After an introduction by Paula Richman, the key essay, to which the entire volume is a kind of response, is A. Kathleen M. They speak to one another with shocking verbal abandon. Contrary to the usual opinion, it is fiction that has only one version; a factual event will inevitably have various versions, depending on the attitude, point of view, intent, and social position of the teller.

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After an introduction by Paula Richman, the key essay, to which the entire volume is a kind of response, is A. Kathleen M. They speak to one another with shocking verbal abandon. Contrary to the usual opinion, it is fiction that has only one version; a factual event will inevitably have various versions, depending on the attitude, point of view, intent, and social position of the teller.

Stuart Blackburn describes how the puppeteers instead create conversations among themselves, performing to an "internal audience", Paula Richman describes E. Patricia Mumme looks at how the Tenkalai school of the Srivaisnava centering worship of Lakshmi and Vishnu uses episodes from the Ramayana tradition in its theology; this is compared with the use of parables in the New Testament.

Philip Lutgendorf describes the rasik tradition, which involves a kind of role-playing, intense identification with followers or participants in the story of Rama and Sita. This is usually set in an idyllic period in their life, with detailed visualization of the setting and sometimes with romantic or erotic elements. Ramdas Lamb describes how this practice cuts across common categorisation of Hindi sacred texts.

Their increased awareness of the contents of the Manas subsequently opened the door for the inclusion in their chanting sessions of verses from other texts and alternate tellings of the Ram story. They are scattered and disconnected, but that is perhaps the only way to give a feel for such a manifold tradition. July

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Many Ramayanas: The Diversity of a Narrative Tradition in South Asia

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Paula Richman (editor)

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